 
It is an old-fashioned hype of popcorn-style comics and to bring in new visual impact and a more carnival graffitti of laugher voices, the camera plot was a set in the kingdom of voyage in the Southern France. Exotic and difference of language prototypes were a natural fast-track to the Bean-humour that minimises the distraction of phrases and sentences in the storyboard. Very simply, the director chose to have Russian and French as their alien jargon in subordination to the Bean-ish. Bean used to play under the curtain of the indoor shooting venue but in this film, he enjoyed the space of a more timid world where could be measured with a shorter scale of distance. So time was purified with the spendidness of sense but only affluent humour. The scenes in France were good memory to me and la route de paysage would always be my path to eternity. The film was framed in an imaginative opening of tales, and of course a premiere at Cannes was just an easy point to guide the unassociated tricks and gadgets to the final salutation of 'see you next time'. Gracias!Libellés : france, moving image |
Enfin, j'ai vu ce film avec un ami. C'est drole si tu as vu avec qqn qui est dans la region. Il m'a dites que la direction du train que M. Bean a pris est vers Paris (et pas vers le sud!!). En plus, tu ne peux pas traverser Millau Viaduct si tu prends le TGV entre Paris et Cannes. Il n'y a pas de 'snack' machine comme ca a Gare de Lyon. Mais, dans tout facon, c'est un film pas mal pour passer un weekend dans le sud. :p